Mudras in the Hatha Yoga Pradipika

Written and reviewed by The Kriya Yogi · Updated 12 August 2026

The third chapter of the Hatha Yoga Pradipika describes ten mudras: Mahamudra, Mahabandha, Mahavedha, Khechari, Uddiyana, Mulabandha, Jalandhara Bandha, Viparitakarani, Vajroli and Shakti Chalana. In this literature a mudra is a whole-body practice combining posture, breath retention and muscular locks, undertaken to direct prana — not a hand gesture. The text presents them as secret practices to be learned from a teacher, and several of them are unsuitable for unsupervised practice.

Before you read on

  • Ten mudras appear in chapter three; in this literature mudra means a whole-body practice, not a hand gesture.
  • Mula, uddiyana and jalandhara bandha are both practices and components of the others.
  • The text itself insists on secrecy and a teacher for these practices, unlike asana.
  • Khechari and Vajroli are described here as history, not taught — they are not transferable to lay practice.

On this page, what the text says, when and why it was written, how practitioners have read it, and what modern research can and cannot support are kept apart on purpose. Collapsing them is how yoga writing becomes unreliable.

The ten mudras of chapter three

Chapter three opens with the image of kundalini as the support of all yoga practices, and then names the ten mudras as the means by which the practitioner works with that energy. Each receives a short technical description: limb and hand placement, where to apply a lock, when to inhale, retain or exhale.

The three bandhas — mula (pelvic floor), uddiyana (abdominal drawing in and up after exhalation) and jalandhara (chin lock) — appear both as mudras in their own right and as components of the others; their combination is described as the great lock. Mahamudra, Mahabandha and Mahavedha are presented as a set. Khechari involves lengthening the tongue over long periods to turn it upward. Viparitakarani is an inverted position. Vajroli and its associated practices concern seminal and sexual control and are among the most historically contested passages in the hatha corpus.

The chapter also states plainly that these practices should be kept secret and are effective only with a teacher — a warning the text does not attach to asana.

The tantric inheritance

Mudra practice is where the Pradipika's tantric inheritance is most visible. The framework of kundalini, nadis, chakras and the preservation of bindu comes from earlier tantric traditions, and the mudras are techniques for reversing what that framework regards as a downward loss of vital essence — hence the emphasis on inversion, on drawing upward, and on retention.

These practices assume the conditions the first chapter describes: a secluded dwelling, a regulated diet, celibacy, and daily supervision. Removed from that setting, the instructions lose the safeguards the tradition built around them. Some, such as the tongue-lengthening of Khechari and the practices around Vajroli, are simply not transferable into a modern lay context, and honest writing should say so rather than aestheticising them.

How lineages place mudra practice

Hatha lineages read the mudras as the heart of hatha's technical work: asana makes a body capable, pranayama regulates prana, and mudra directs it. The claimed effects are described in the text's own terms — awakening kundalini, sealing the flow of amrita, achieving states the text calls extraordinary — and traditional teachers generally regard them as belonging to a stage of practice, not as techniques to sample.

The bandhas have travelled furthest into modern practice, where they are often taught as postural and breath-related actions: mula bandha as pelvic-floor engagement, uddiyana as abdominal control, jalandhara as a cervical position for retention. That reading is useful but partial: it keeps the mechanics and sets aside the energetic aim, and it is worth being explicit that this is a modern adaptation.

Thin evidence, real risks

Very little research addresses mudra practice directly, and what exists is mostly small, short and heterogeneous. Uddiyana-style abdominal manoeuvres and pelvic-floor activation have been studied in physiotherapy contexts, where controlled pelvic-floor training has reasonable evidence for specific continence outcomes — but that literature concerns graded clinical protocols, not yogic mudra as the text describes it. Inverted positions produce measurable haemodynamic and intraocular pressure changes, which is precisely why they carry cautions.

There is no reliable evidence for kundalini as a physiological phenomenon, for the preservation of bindu as a health mechanism, or for the specific claims the chapter makes. Nor is there evidence for the safety of Khechari or Vajroli practices, which for that reason we describe historically and do not teach.

Forceful retention with locks can raise intrathoracic pressure and provoke dizziness or fainting, and should be avoided in pregnancy and with uncontrolled blood pressure, glaucoma, retinal problems, epilepsy, hernia, recent abdominal surgery or cardiac conditions.

What is usable today

The accessible part of this chapter, for most modern practitioners, is the bandha material — and even that belongs after comfortable sitting and steady, unforced breathing. Pelvic-floor and abdominal awareness, learned gently and without breath-holding, is a reasonable thing to explore; long retentions and the more esoteric mudras are not, outside an experienced teacher's supervision. Our practice pages cover the accessible techniques with their cautions and describe the rest as history.

Texts consulted

  • Hatha Yoga Pradipika chapter 3 — Akers' translation; Muktibodhananda's commentary for the lineage reading.
  • Roots of Yoga (Mallinson & Singleton), chapters on mudra and bandha, for the tantric background.

Questions about mudra and bandha

+ How many mudras are in the Hatha Yoga Pradipika?
Ten: Mahamudra, Mahabandha, Mahavedha, Khechari, Uddiyana, Mulabandha, Jalandhara Bandha, Viparitakarani, Vajroli and Shakti Chalana.
+ Are mudras the same as hand gestures?
Not in this text. The hand gestures commonly called mudras today belong to iconography and later devotional and meditative practice; the Pradipika's mudras are whole-body techniques with locks and retention.
+ Can beginners practise the bandhas?
Gentle pelvic-floor and abdominal awareness without breath-holding is reasonable once sitting and quiet breathing are established. Locks combined with long retention need a teacher.
+ Who should avoid these practices?
Anyone pregnant, or with uncontrolled blood pressure, glaucoma or retinal problems, epilepsy, hernia, recent abdominal surgery or cardiac conditions. Dizziness is a signal to stop.

Keep reading

Educational content, not medical advice. Check with a doctor before starting new practices if you have a health condition or are pregnant.