Salamba Bhujangasana

Backbends are better repeated than sustained. Hold Salamba Bhujangasana for three to six breaths and repeat two or three times, resting between rounds, instead of holding one long deep version. Let the breath decide: if it becomes short, held or noisy, you have stayed too long or gone too deep.

Yes. Salamba Bhujangasana is a beginner-level posture in the backbends family, and it is a reasonable shape to learn early. Reduce the range, use a wall or a cushion where balance or height helps, and hold it for fewer breaths at first. Read the cautions below before you begin, since "beginner-friendly" is not the same as "suitable for everyone".

Work with the shape rather than around it: reduce the range, shorten the lever by bending the nearest joint, and raise the floor toward you. Three adjustments apply to almost any posture: raise the hips on a folded blanket or cushion in seated work, bend the knees in anything that loads the back of the legs, and use a wall, chair or block to take weight and remove the fear of falling. A supported version practised often produces more change than a deep version practised rarely.

For Salamba Bhujangasana specifically: back injury; pregnancy (modify or avoid). More generally, modify or skip it if you have an acute injury or recent surgery in the area it loads, if you are pregnant and have not been given individual guidance, or if the shape produces sharp, pinching, radiating or electric sensation. Numbness, tingling or pain travelling down a limb is a nerve signal to stop and be assessed, not to breathe through. This page is educational and is not medical advice.

Prepare with Makarasana (Crocodile Pose). Release afterwards with Balasana (Child's Pose). Both lists are links on this page, and either can be shortened when time is limited — but do not skip preparation for a posture that loads a joint at end range.

Salamba Bhujangasana translates as sphinx pose — salamba = supported, bhujanga = serpent The name follows Sanskrit convention, but the posture itself is modern and is not described in the classical texts.